The "Folk Church" and Storytelling Jam Audience

Our President, Kip Hutchins, treated this event as his special priority, and having not attended last year, I didn’t understand the draw. Having spent a night in the unique lull that good stories in good company can put over you, I now completely comprehend his excitement.

The evening opened with an introduction and welcome from Kip, followed with an opening story from his childhood tradition, an Appalachian tale called “Soap, Soap, Soap.”

Kip Opening the Storytelling Jam

Next, we were regaled with another traditional story by Dr. McDowell, the chair of the department, from his area of study; Colombia.

Dr. McDowell

The night continued with a few more scheduled personal narratives, traditional stories, folk legends, and some of the audience were even inspired to get up and tell a story on the spot.  Krystie Herndon, a familiar face to many of us, and a great supporter of FESA, even made a late appearance after attending her younger son’s awards banquet- favoring us with her retelling of “The Bill Joke.” Oh come on, you know this one…

As I mentioned before, I was a little apprehensive of this storytelling jam event, so when FESA was having a hard time finding enough storytelling volunteers to pull it off, the pressure was put on the officers to come up with something, even if it was just a joke or riddle. I thought, and I thought, I brainstormed, I even considered stealing a story I had recently read in my Irish Music and Culture class. Instead, I just pushed the pressure off onto my good friend Drew, who’s father was very fond of telling stories. Drew never complained or threatened to cancel on me, and I knew I could rely on him to come up with something spectacular!

So when the night was upon us, I was so blown away with his semi-biographical myth, and the welcoming atmosphere of the event, that I was suddenly reminded of a story that hadn’t even entered into my mind as a possibility to tell, it was like a revelation. I was so moved in the moment to share an old favorite of my own: my WORST DATE EVER story.

Sorry readers, you’ll have to meet me sometime to get the whole saga, let’s suffice to say, it was pretty awful. Here’s a little teaser: the last line my eighty year old grandma admits to spitting on my date in a McDonald’s once.

In any case, now that I know what the storytelling jam is like, I’m looking forward even more to planning a springtime music jam for the FESA. I’ll post details here, and I hope to see you all at our next movie showing: This Thursday the 3rd, Cannibal Tours, at 7:30 P.M. in Lindley Hall.

Synopsis: When tourists journey to the furthermost reaches of the Sepik River in Papua New Guinea, is it the indigenous tribespeople or the white visitors who are the cultural oddity? This film explores the difference (and the surprising similarities) that emerge when “civilized” and “primitive” people meet. With dry humor and acute observation CANNIBAL TOURS explodes cultural assumptions as it provides a pointed look at a fabulous phenomenon.

This is the second annual FESA Storytelling Jam and I heard it was amazing last year, please come out and enjoy an extermely unique and interesting experience!

When: Friday the 28th of January
Where: 800 N. Indiana- the Folklore Dept. “Church”

Interested in being a storyteller? Please email the FESA president, Kip Hutchins at kihutchi@indiana.edu

Where and When:

This Thursday, November 4th, 7:30 p.m., Woodburn Hall 120, FESA will be showing the film Keïta! l’Héritage du griot. Part folk tale, part analysis of contemporary and traditional West African values, Keita! is the story of a young boy as he learns the Bambara epic of Sunjata Keita. Keita portrays the dichotomy between traditional values and ways of learning and modern, Western-style education all the while interspersing scenes of a classical West African tale of heroism and magic. In French and Bambara with English subtitles. Bring your friends to this FREE event!

More about Keita!

Keïta! received the Best First Film Prize from the Panafrican Film and Television Festival of Ouagadougou (Fespaco) and was awarded the Junior Prize at the Cannes Film Festival.^[1] The New York Times praised the film, claiming it “succeeds admirably in keeping… history alive.”^[3] In a 1995 interview, Kouyate reflected on the experience and commenting on traditional society, saying:

Sometimes when you don’t know where you’re heading, you have to return to where you came from in order to think things over before continuing your journey. Today, with all the things happening to her, Africa has trouble finding which direction to take—modernity, tradition, or some other road. We are not really capable of digesting all these things. We don’t know who we are, and we don’t know where we are going. We are between two things. Between our traditions and our modernity.^[4]

Here’s some background on Dr. Goldstein: Dr. Diane Goldstein’s areas of specialty include belief studies, folk medicine, folk religion, supernatural traditions, applied folklore, the ethnography of speaking, and narrative. She is the author of a number of articles on religious events and speech, narratives of supernatural experience, and educational applications of folklore. She is co-author of Haunting Experiences: Ghosts in Contemporary Folklore (with Sylvia Grider and Jeannie Banks Thomas, Utah State University Press, 2007) and author of Once Upon a Virus: AIDS Legends and Vernacular Risk Perception (Utah State University Press, 2004), co-editor (with Cindy Patton and Heather Worth) of a special issue of Sexuality Research and Social Policy, entitled “Reckless Vectors: The Infecting ‘Other’ in HIV/AIDS Law” (2005) and editor of one of the earliest interdisciplinary anthologies on AIDS, entitled Talking AIDS: Interdisciplinary Perspectives on Acquired Immune Deficiency Syndrome (ISER Books, 1991). Diane has been extensively invovled in health priority-setting and policy-making initiatives over the last twenty years, including a three-year appointment to the Canadian national Planning and Priorities Forum for HIV/AIDS. Diane is currently President of the International Society for Contemporary Legend Research, member of the Executive board of the American Folklore Society, and serves, or has served, on the editorial boards of the Journal of American Folklore, Folklore , Ethnologies, Contemporary Legend, Electronic Journal of Folklore and the Journal of Applied Folklore.

See you there!

Dr. Goldstein

I’ve got a few good stories to tell, since spending the summer of 2009 in Washington, DC, working with Smithsonian Folkways Recordings and the Folklife Festival at the Center for Folklife and Cultural Heritage (See future posts on all things Smithsonian!).

One of my favorite DC area adventures was visiting legendary record collector, Joe Bussard, at his home in Frederick, MD. Now, some of you might remember that we screened the Dust-to-Digital film about Joe and his incredible collection of 78 rpm records, “Desperate Man Blues” (2006), in the Spring of 2008 as part of the FESA Film Series. I bought this film before seeing it, because I was so captivated by this charismatic man, and his story. It turned out to be a fine purchase, indeed.

During the Folklife Festival, I got to speaking with Rinzler archivist Jeff Place about Joe and he said I should just call him up and see if he’d like to host a group of us for a little while. I thought the whole thing was too good to be true, but I called him up anyway and after sort of quizzing me on my familiarity with early American music, he said he’d be glad to host a small group of Folkways interns. (I probably just answered Jelly Roll Morton to everything).

Joe Bussard’s record collection holds original and rare copies of some of the most historically significant music in America  - music that is not in the Rinzler Archives at Folkways, or housed at the Library of Congress. Bussard dropped out of school as a teenager and simply started driving around, knocking on doors in the South, seeing what rare 78 rpm records he could find. Record collecting quickly became more than a hobby for him. Since Bussard first starting collecting, he’s shared his unbelievable findings (and impressive familiarity with the music and its time) with the record collecting community. One can hear some of these rarities by tuning in to his weekly radio show Country Classics on Atlanta’s WREK, and through his limited-release box sets on his own Fonotone Records. By collecting, preserving, and sharing these rarities he has done us (Americans, music fans, historians, musicians, folklorists, archivists, the list goes on) quite the service, and I am so thankful to him for that.

Joe pulls a record from 30,000. He has no shelving labels - he knows the location of each of his records through memory.

Joe’s collection of about 30,000 78 rpm records consists primarily of American folk, gospel, blues, and jazz, from the 1920s to the 1930s.

The first spin

Joe displays his original Jimmie Rodgers picture disc

Joe’s most endearing quality was his sheer enthusiasm and rhapsody whilst listening and sharing his records. I think he probably played the mouth trumpet more than a few times. Whenever I tried to capture his music moves he’d take them down a notch (understandably). This video is the closest I got:

Ah! Nevermind - mouth trumpet documented!

Part of Joe's record station

A typical pre-listening narrative with a bit of a tour of his collection. Here he pulls a Roanoke Jug Band 78:

Joe in his element.

Next, Joe had no qualms about spinning us the record that put him in the history books – the #8030 Black Patti, “Original Stack O’ Lee Blues” by the Down Home Boys. Worth about $50,000 if I remember correctly. It was found near Tazewell, Virginia, “under a bed in a box with three feet of dust, it was one of 15 Black Pattis in mint condition and it turns out to be the only known copy of the recording” (Fonotone).

Joe shows us a portrait with his Black Patti in a record collector mag.

Here’s Joe spinning us the Black Patti. It’s probably one of the loveliest songs I’ve heard in a long while:

Joe's rarest: The #8030 Black Patti

Then, Joe told us some more stories and played us some records on his incredible Victrola.

Joe sets up his Victrola for demonstration

Warming up the Victrola

Finally, I convinced him to play us some music. Do check out his one-time band, Two Black Jacks. Here he plays his guitar with a screwdriver:

Some of Joe's methods of cataloging his music: self-made indexes

A jazz index

Joe would rather continue telling us stories than pose for a formal photograph!

After 3.5 hours of stories and music: Smithsonian Folkways interns (L to R) Schuyler Marquez of MA, Eric Dresner of MI, Jenn Jameson of IN, Joe Bussard, and Caitlin Allen of MA. Photo by Laura Casserly of DC.

One final photo of Joe and his Victrola - Letters from NASA in the background (!?)

Finally, we headed to Bussard’s favorite spot, Barbara Fritchie’s Candy Cane Diner. He says he likes it so much because they don’t play “terrible music on some jukebox” (in fact they don’t play any music at all).

Barbara Fritchie's interior

Me and Fritchie: Frederick, Maryland

A week or so later, I received the custom tape I commissioned from Joe.

He asked me what I wanted on it, and I told him “Surprise me”.

The best kind of momento.

Jenn Jameson

(jamesonj@umail.iu.edu)

FESA Secretary, Fall 2009

Ed. Note:

More pictures can be seen here: http://www.flickr.com/photos/rosehips/sets/72157622233080843/

A few more videos can be seen here: http://vimeo.com/album/126383

Here’s a link to my blog, for those interested in the area.

http://plmoknqaz.blogspot.com/

~Emily

On a personal note, I’m super excited. Be there.

-Emily Ridout

During my time here at IU at the folklore department, my love of museums has been rekindled…my first visit to the Mather’s Museum of World Culture (with my mom of course) was just as inspiring as it was when I was a kid. However this time I wanted more…and it was something that couldn’t be obtained at the gift shop. I started poking around the museum more frequently and discovered that I could not only have more of the museum to myself…but I could get class credit for it! Yes! The answer was a practicum at the Mather’s Museum! Not only did I get to see the collection first hand-but I also got see parts of the collection not available to the general public up close, I was able to clean objects and work with museum professionals. 

So now…I am addicted. This is the best way to see the museum. Hands down. You will not only learn more about museums then you could have ever imagined but you will become a part of the museum itself and the history it has to tell. If you ever have the opportunity to volunteer/intern/study within the museum setting…DO IT. Trust me…you’ll like it.

-Amanda Hotz

“Dear Dr. Sheehy,
I wanted to drop you a line simply to say thank you for speaking today at Indiana University. My name is Jennifer Jameson, and I’m an undergraduate student (a senior) majoring in Folklore & Ethnomusicology at IU. I’m a west coaster myself, and came out to IU just to study in the department! I wanted to personally thank you because the work that Smithsonian Folkways Recordings has published has truly meant a lot to me. It all started one day at my local library in suburban San Diego (Encinitas). I was browsing through the album box sets and came upon a huge red box – Harry Smith’s Anthology of American Folk Music. Ever since then I’ve been hooked on the stories and spirit of American music, its traditions and beyond. I began to ravenously search for more and more relevant information and media. I began renting every documentary on ragtime or Sacred Harp singing that I could find, and collecting as many albums from Folkways Recordings and the Alan Lomax Collection I could afford. From then on, I knew that this material was well worth learning about, and I knew that I could understand it and interpret its value well. The music and information that Folkways has made available has made it possible for me to realize my own passion for these historically and culturally significant songs and the context they exist in. Thanks to you and your visionary staff for inspiring me out of that sleepy, suburban existence and into a vibrant community of people looking for meaning in the everyday.

Warmly,
Jennifer M. Jameson”

SOME OF MY FAVORITE PLACES ON THE INTERNET:

http://www.folkways.si.edu/

http://www.smithsonianglobalsound.org/

http://www.folklife.si.edu/index.html

- JENN J. (jamesonj@indiana.edu)